Category Archives: Redemption

Salvation and Social Media

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Jesus died on the cross …

to free us from fear of what other people think…

… and from the danger of being misled by their flattery or adulation.

What is it like to be occupied by a foreign power … to be told that your culture is inferior and your God is powerless … to have every attempt at resistance beaten down and your leaders tortured and executed in the most brutal and degrading way?

Are you then in danger of believing what you are told, and even of blaming yourself for your foolishness?

That was the condition of the poorest in spirit in the Palestine of Jesus’s time.

And that was why they understood the Resurrection of Jesus as freedom now – from the mistake of believing that they had been forsaken by the God of their ancestors, the God of Moses who had freed the Israelites from the Egyptian Pharaoh.

It is time to recall what belief in the Resurrection originally meant, and still means:

We need not fear the judgment of other human beings, whoever they are – and will be foolish if we spend our lives in search of their approval.

How did we lose the original meaning of salvation?

How did it happen that Christian teachers today have so often forgotten the original meaning of ‘Salvation’ – and cannot explain the relevance of prayer to the epidemic of self-harm now ongoing via Internet social media?

For the earliest Christians the story of Jesus was ‘salvation’ right now – not just a promise of life after death. Occupied by an often brutal foreign power the Jews of Israel were in real danger of of internalising Rome’s judgement of them as an inferior people whose God had failed. It followed that a belief in Jesus’s resurrection was also a belief that Rome’s power lay at the mercy of the God of Israel and was ‘passing away’.

History was to prove them right. An empire that ruled by fear and the most cruel shaming had been overthrown where it most mattered – in the minds of a minority who were quick to pass on this electrifying news.

The same story of Jesus, amplified in the Gospels, also overturned the myths that wealth, health and social status were signs of God’s approval, while illness or misfortune or extreme poverty must be proof of God’s condemnation. The assumptions that sustained the social pyramids of the ancient world had all been thrown into question.

So, in their own lifetime many of ‘the poorest in spirit’ had become convinced that they had never been deserted by a transcendent power that knew them individually – and the world’s greatest empire had been proven a hopeless judge.

However, through the centuries this original understanding became dimmed, especially by a theology of atonement that implied that God was still dissatisfied by our sinfulness – identified mainly with our sexuality. St Anselm of Canterbury convinced many in Cur Deus Homo (1098) that God the Father sent Jesus to collect a debt on which we had defaulted, and that Jesus accepted crucifixion to repay this debt.

And then, in the 1500s, Protestant leaders such as Martin Luther and John Calvin developed the idea of Jesus as penal substitute, the one who accepted the extra punishment that must otherwise fall on ourselves – because the suffering that sin itself brings is not enough.

In this way the liberator God of the early Christians had become instead the Great Medieval Debt Collector who will send us to Hell for defaulting. No wonder this doesn’t make sense to so many of today’s young people.

Social Media – an Empire Built on Our Search for Recognition and Approval

In our own time, following the rise and fall of the prestige of Christian churches (over twenty centuries) a new global empire has arisen: the empire of global electronic media. Its favourites are no longer the military heroes of the ancient world but the ‘silicon’ hardware and software icons of the Internet, and anyone else who can ‘influence’ its markets. Everywhere the teenagers of today can look for proof of their own significance on screens they need never darken.

The result? The verdict of many studies confirms the research of an Oxford University team: screen time correlates with poor mental health and “the association of well-being with regularly eating potatoes was nearly as negative as the association with technology use”.

Furthermore, the renowned US psychologist Dr Jean Twenge has found that the correlation between social media consumption and mental health challenges for young girls is even stronger.

“…The link between social media use and poor mental health for girls was 10 times as large as what the Oxford paper identified for “screen time.” A recent paper by two Spanish statisticians also examined the Oxford researchers’ techniques and also found a much stronger link. These findings fit with Facebook’s internal research, leaked by a whistleblower and published last fall, which concluded that Instagram led to depression and body image issues, particularly among teenage girls.” (Washington Post, 16th Feb 2022)

Why the Phone Fixation?

The power of ‘social media’ lies in the simplest of mistaken assumptions – that our value and importance can be determined by the judgement of others. Disappointment and elation – obscurity or recognition – honour and shame – are in the power of a handheld device that will tell us at a glance where we stand.

Anyone can therefore fall victim to an iron law of history. Wherever there is a search for status there will also be the formation of alliances in the shaming of those who are anyway vulnerable.

That many of the young are now mentally distressed and disturbed as a consequence is now well established. To believe in the Internet – or in media generally – as the arbiter of a person’s worth – is, for millions, to become poor in spirit all over again. It is also to be in danger of entrapment in cults or conspiracy theories, completely isolated from reality and the real world.

And that is why we need to remind ourselves, constantly, through prayer, that we should never make ourselves the prisoners of the judgement of others.

What has the experience of media shaming taught Irish clergy?

An Irish Catholic Church that has fallen from high social prestige to social disgrace in little over a generation has so far adjusted poorly to this situation. Clergy whose vocations began before ‘the fall’ were themselves teenagers when their own corporation was a power broker of both honour and shame in Ireland. Resentment and even anger (much of it justified) can be their default reaction to the reversal of fortunes they have experienced.

There is another option – to look again at that human tendency to see ‘honour’ as truly in the gift of other humans – and to identify that as the driving force of all ascent to social superiority, in all eras – and as the ‘worldliness’ that Jesus came to conquer. If the Gospel story was not a revelation of that mistake – and of the fallibility of human judgement – even when all are in agreement – what was it?

Is not that mistake – the seeking of honour in the adulation of others – the root of all tyranny in all eras? Was not that the mistake of the sons of Zebedee also, and the root of all conflict?

Can homilies address the threat to young people of online bullying?

Why should we not see the disgracing of the Irish church – at the hands of a secularising media – as deliverance in disguise – especially from the mistake of supposing that when the church was itself the great social arbiter of honour and shame it was where Our Father wanted us to be? Was it not to protect its social eminence, its ‘reputation’, that the clerical institution failed to be truly Christian in its protection of Catholic children?

Has not their own ‘humiliation by media’ been in truth a later stage of the formation of Catholic clergy for the world of now? Is not the Creed – the shortest summary of the story of Jesus, and of Catholic belief – to be celebrated and re-affirmed now, in the face of a secularism that direly needs it?

Certainly there must be many Irish teenagers ready for saving from the mistake of believing their dignity is decided by the Internet – so intensely controlled merely by ‘the market’. Who is now ready for the rescuing? Is that not a calling for all of us?

Sean O’Conaill

[This article was revised on January 14th 2023, in light of reinforcing research data on the negative influence of social media on the mental health of young people.]

How White Men Lost the Meaning of Redemption

For the earliest Christians, Jesus’s Resurrection had set them free from the worst kind of fear – that the judgement of Rome was God’s judgement also. Without an army, Jesus had defeated the world’s greatest power, simply by speaking the truth. The still living Jesus, their brother and Lord,  was now judge of the living as well as the dead. In their own minds and hearts, whatever others might think, they were beloved children of the only God who mattered.

If Crucifixion could not disgrace or kill Jesus it could not disgrace or kill those who believed that Jesus was indeed the way, the truth and the life.

And so St Paul could write :  Now this Lord is the Spirit and where the Spirit of the Lord is, there is freedom. (2 Cor 3: 17)

This was why Jesus was also called ‘Redeemer‘ – liberator – because his forgiveness, experienced before Baptism, had also liberated his earliest followers from the fear that eternal death would follow not only from the mistakes of their own earlier lives but from crucifixion

To redeem‘ was literally to buy the freedom of a Roman slave, so those earliest Christians were truly free in the most important sense.  The greatest power that Rome had – the power to both kill and shame by crucifixion – had been set at nought by Jesus.

That cruel Roman world was passing away.

Two thousand years later a Christian descendant of African slaves in the USA was to write as follows:

“The cross stands at the centre of the Christian faith of African-Americans because Jesus’ suffering was similar to their American experience. Just as Jesus Christ was crucified, so were blacks lynched. In the American experience, the cross is the lynching tree.”
(James H. Cone, The Cross and the Lynching Tree,  Orbis Books, 2013)

James Cone was describing the belief that had led Martin Luther King to give his own life for the cause of African American civil equality in the USA, the Civil Rights campaign of 1956-68.

The same belief – that God and history are always on the side of the enslaved and the abused – the rejected ones – continues to make history today.

The paradox is that James Cone’s own ancestors had been enslaved by white Europeans who also thought themselves Christians. Those white Europeans had instead used the Bible to justify their own greed and brutality.

The white American landowners to whom they had sold their slaves had given the same Bible to those slaves in the hope that it would teach them obedience.  They had no expectation that something utterly different would happen:

Those slaves now saw in the story of the Israelites in Egypt their own story – and in the crucifixion they saw the lynchings that became all too frequent after the US Civil War defeat of the slave-holding southern states, in the period 1865-1945.

How had it happened that white European slavers – and even kings and popes – had forgotten what St Paul had also written about the Kingdom of God called into being by Jesus long ago: “There can be neither Jew nor Greek, there can be neither slave nor freeman, there can be neither male nor female — for you are all one in Christ Jesus.” (Gal 3: 28)

The answer lies in an event that happened just three centuries after Jesus’s time on earth: the decision of the Roman Emperor Constantine to claim in 312 CE that the God of Jesus had helped him win power over his rivals, and would help him to further victories if he marched under a Christian symbol of that time – known as the Chi Rho.

The Chi Rho – early Christian symbol formed by placing the first two letters of the Greek word ΧΡΙΣΤΟΣ (Christos) on top of one another. It was adapted to become the battle standard of the armies of the Roman Emperor Constantine 312-337 CE

Not all Christians were convinced of the truth of Constantine’s claim – for it was also known that Constantine had earlier claimed the support of the pagan God Apollo.  However, a majority of the Christian bishops decided that the sufferings of Christians under periodic Roman persecution had finally been rewarded, and did not contest this claim.  By the end of that century, 400 CE, Christianity had replaced belief in the ancient Roman and Greek Gods as the official religion of the Roman empire.

This had a profound impact on European Christianity from then on, in three main ways:

  • First, as the Christian church was now under the protection of a military Roman upper class, it came itself to be organised in the same way – with Christian clergy organised also as an officer class and social hierarchy throughout western Europe.
  • Second, the social importance of Baptism lessened greatly.  Originally received by adults converted by the ‘Good News’ of Jesus life, death and resurrection, Baptism became gradually a sacrament received in infancy in Christian families.  This strongly contrasted with the rising social prestige of the adult sacrament of ordination – the gateway ‘rite of passage’ to the Christian clergy, the church’s own officer ranks.
  • This in turn meant that ‘Redemption’ for most European Christians no longer meant freedom in the present from fear of the judgement of others, but merely a promise of eternal life after death – if one was obedient to the Christian clergy who now formed society’s moral and intellectual elite. 

This was Christendom – an era that began in the 300s CE and lasted, as a semi-Christian society, until 1914 CE.  Its downfall came when five ‘great’ European imperial powers fought World War I, the most absurd and costly war in history – the Great War of 1914-18 – all claiming that the God of Jesus would help them to victory.

This disaster – its effects still ongoing – has greatly weakened those Christian churches that had supported those imperial powers. It has led many Christians in all traditions to recall that Jesus began his ministry by resisting the temptation to seek any form of political or ecclesiastical power, and that he died holding to that same course. Christendom was obviously not the Kingdom of God, and this is slowly being understood.

James Cone’s statement quoted above helps us greatly both to pinpoint the greatest mistake of European Christian churches in the past and to chart the future.

At the highest level of the church today it is also understood that the importance of Baptism took a negative turn following the Constantinian conversion in the 300s CE:

” Theology and the value of pastoral care in the family seen  as domestic Church took a negative turn in the fourth century, when the sacralization of priests and bishops took place, to the detriment of the common priesthood of baptism, which was beginning to lose its value. The more the institutionalization of the Church advanced, the more the nature and charism of the family as a domestic Church diminished.” (Secretary General to the Vatican Synod of Bishops, Bishop Mario Grech, Civilta Cattolica, 16th October 2020.)

And that is why defending the importance of Baptism and raising its status in the church needs to be a priority for all Irish Catholics today – especially because of the continuing power of clericalism – a mistaken exaggeration of the importance of ordination.  Clericalism pays only lip service to Baptism.  In particular, Irish clericalism still denies the baptised people of God the ordinary necessity of frequent dialogue. This in turn means that clergy are too often unable to help lay people to develop a mature Christian faith that is free of the need of clerical approval and oversight.

Yet, in 2020, as Catholic clerical morale reaches its lowest ever ebb in Ireland, many Irish Catholic lay people are discovering that the Holy Spirit, the counsellor promised by Jesus, is always at their elbow, reminding them that with the fullest understanding of the Apostles Creed comes a freedom greater than they have ever known. It does not matter that due to its mistaken alignment with wealth and power in the past, Catholicism is written off by today’s fashionable opinion-makers.

Those same opinion-makers existed in Jesus’s time – he called them ‘the world’. Knowing that world was passing away he left to all Christians a far greater faith in the living presence of the Holy Spirit and in the better world to come.

In the end all human judgement and social and spiritual pretence is set at nought by the Cross. It is our pride, our mistaken pursuit of superiority, that leads to snobbery, inequality, clericalism and injustice in all eras.

Prayer – especially reflective prayer on the Apostles Creed – will remind us that it is the Trinity – Father, Son and Holy Spirit – who are the true Lords of Time.  As ever we are all equally and infinitely loved, and need to believe this firmly to become a true Christian community – and heralds of the world to come.

[This article was published first at:  https://acireland.ie ]

Encounters with the Force

Sean O’Conaill © Doctrine and Life 2002

Back in 1977 in Dublin I took my daughter aged seven and my eldest son, five, to see the first of George Lucas’s Star Wars films, now entitled A New Hope. When we got home the five-year-old solemnly related the entire plot, scene by scene, to his grandfather. The latter was so impressed that he just had to watch the Christmas TV premiere a few years later, aged about 70 – totally enthralled. Our attic still holds boxes of the spin-off merchandising that boomed in the wake of the series and made Lucas one of the wealthiest and most influential figures in cinema.

All of these films centre on the struggle of the Jedi knights – assisted by the light side of ‘The Force’ – against the disciples of the dark side, especially the towering Darth Vader. Half man, half glistening ebony machine – head and face hidden by a black mask like the coal-scuttle helmet worn by the Wehrmacht in World War II – the cloaked Vader strode onto the deck of a captured starship in the very first sequence of A New Hope, and became every child’s icon of dread. In the latest film, Attack of the Clones, the second ‘prequel’ to the first-produced series, we are to learn how it was that Vader, who had himself been a Jedi apprentice, began his journey to the dark side.

(Lucas originally conceived an epic series of nine films – three series of three. He made the middle series first, and is now two-thirds of the way through the first series. He presently insists he won’t actually complete the last three – but somebody probably will.)

The whole story, we are told, took place in a distant galaxy ‘long, long ago and far away’, where a multi-world republic is subverted by a sinister imperial tendency linked with the dark side. This device allows Lucas to blend elements of medieval knight-errantry with inter-stellar technology, ancient myth and mysticism – to tell the kind of riveting yarn that earlier generations would have experienced in the Arthurian knights of the round table.

The preferred weapon of the Jedi is not a ‘blaster’ – a projectile weapon – but a light sabre, a sword whose blade is a shaft of luminous energy. This weapon not only allows Lucas to recreate the fencing duels of Robin Hood and the samurai in a different cosmos, but to explore the idea of ‘the Force’ itself. Letting the Force flow through him, the Jedi can learn to anticipate and use his light sabre to deflect a plasma bolt fired at himself. (Jedis typically try diplomacy before resorting to defensive violence.)

What is the Force? The script limitations of an action film don’t allow Lucas much scope for theology, and on the whole this is probably just as well. Luke Skywalker, the hero of the first-produced films, is schooled by the old Jedi, Obi-Wan Kenobi, as follows:

“The Force is what gives a Jedi his power. It’s an energy field created by all living things. It surrounds us and penetrates us. It binds the galaxy together.”

Observing this lesson, the contraband smuggler Han Solo laconically observes:  “Hokey religions and ancient weapons are no match for a good blaster at your side, kid.”

Solo’s hard-bitten pursuit of profit serves as counterpoint to Luke’s search for a cause. However, Solo is also smitten by Princess Leia, leader of the republican remnant. She can handle a blaster as well as anyone – and this earned her points with seventies children, despite her very impractical coiffure of two enormous side buns which must have given her a headache.

Meanwhile Darth Vader, on the enormous pursuing battle cruiser, is demonstrating the power of the dark side to a sceptical imperial officer by raising him by the throat from his seat with an invisible hand.

Pushing the special effects of the 1970s beyond their previous limits Lucas achieved in A New Hope an unprecedented persuasiveness for the science fiction genre. Using profits from the spin-off merchandising he stayed at the leading edge in this field, designing state-of the-art cinema technology in both sound and vision. The latest film was shot with specially designed digital movie cameras – heralding the end of the ‘spool’ era, and the distribution of all movies by digital means. (Though it will take time for all cinemas to make use of this.)

Lucas, raised as a Methodist and later influenced by the cult mythology guru Joseph Campbell, tells us that he introduced the idea of the Force to get children to think about spirituality. “Rather than do some angry, socially relevant film, I realised there was another relevance that is even more important – dreams and fantasies, getting children to believe there is more to life than garbage and killing and all that real stuff like stealing hubcaps. A whole generation was growing up without fairytales.”

Elsewhere, expanding on this he says: “I put the Force into the movie in order to try to awaken a certain kind of spirituality in young people–more a belief in God than a belief in any particular religious system. I wanted to make it so that young people would begin to ask questions about the mystery. Not having enough interest in the mysteries of life to ask the question, ‘Is there a God or is there not a God?’–that is for me the worst thing that can happen. I think you should have an opinion about that. Or you should be saying, ‘I’m looking. I’m very curious about this, and I am going to continue to look until I can find an answer, and if I can’t find an answer, then I’ll die trying.’ I think it’s important to have a belief system and to have faith.”

Interviewed about his latest film and asked if he knows yet what turns Anakin Skywalker, the nine-year-old hero of the last film, into Darth Vader in the next, Lucas answered:

“Yes, I know what that is. The groundwork has been laid in this episode. The film is ultimately about the dark side and the light side, and those sides are designed around compassion and greed. The issue of greed, of getting things and owning things and having things and not being able to let go of things, is the opposite of compassion – of not thinking of yourself all the time. These are the two sides – the good force and the bad force. They’re the simplest parts of a complex cosmic construction.”

So, the light side of the Force demands that its disciples, the Jedi, master themselves in order to use the Force, which gives them powers of mind control, anticipation and telekinesis (a limited ability to move objects with the power of thought). Interestingly also they are supposed to remain celibate – another of the things that the nineteen year old Anakin Skywalker has problems with in the latest film!

It’s no secret now that Anakin, who will transmute into Vader in the next and last ‘prequel’, is Luke’s own father. We learned this in The Empire Strikes Back – when Luke was learning to control his own impulsiveness. Obi-Wan Kenobi, played majestically in the first series by Alec Guinness, had been Anakin’s mentor before he became Luke’s. In A New Hope Obi-Wan fought a final duel with Vader, dematerialising as Vader’s light sabre swept through him. Then he became a wraith who returned to mentor Luke at the climax of the film, the breathtaking battle with the Death Star, a space battle station the size of a small planet. Luke’s mentoring was continued by the diminutive Yoda, drawn by computer in this latest film.

Luke learns from Yoda in Empire that he himself is his own most dangerous opponent, and loses his arm in a duel with Vader. His sidekick Han Solo is immured in a block of ice at the climax, but resurrected in part three – Return of the Jedi. In that film Luke manages to control his anger, resisting torture to give his father, Anakin/Vader, a chance of redemption. Does Vader take it? Go watch the film, which will certainly be reprised soon in the wake of the prequel. (Digital TV will probably run all of the previous four films in plot sequence.)

Although it’s at first sight odd that Lucas would tell the story of the son before that of the earlier life of the father, it’s also oddly right – as evil for the 1970s generation is the more important problem to understand just now, especially for an America fascinated by military technology and sure of its own virtue. Anakin was a nine-year-old slave in
Phantom Menace, recruited to the Jedi because of his uncommon empathy with the Force. His journey to the dark side is for me almost as compelling as that of the youthful Michael Corleone in the Godfather series – that other transposition of a medieval family honour code into a twentieth-century republican setting. It’s also right that new generations of children will have immediate access on video and digital TV to Vader’s chance of redemption by his own son – something that couldn’t happen to Michael’s father, the brooding Vito, played by Marlon Brando.

Although Lucas has been criticised for ‘mindless hokum’ it is remarkable that anyone in mass entertainment should set out to deal seriously with the themes of good and evil, self-control, self-sacrifice, corruption, redemption – and even life-after-death – in a medium seemingly designed for popcorn and short attention spans. His meticulous eye for detail in the design of everything from starship interiors to planetary topography, clothing, strange animals and robots create a visual feast for children of the space age.

My fascination with these films began as soon as I saw my own children hooked. They tell us that most children are still thrilled by ancient themes of heroism and self-sacrifice – and in need of a spirituality, a sense of a deeper reality lying behind the one-dimensional digital world that we now live in. As this planet’s own beauty is increasingly tortured by technology, an escape into the awesome mysteries of the unexplored extra-terrestrial cosmos becomes increasingly necessary for rising generations, and Lucas has done as much as Gene Roddenberry (the creator of
Star Trek) to liberate the child’s cosmic imagination.

The films also show us what Cervantes dealt with in Don Quixote – the power of male nostalgia for a role in which knightly virtues of discipline, military skill and valour still make sense. We long for a world in which good and evil appear in such stark contrast that choices become easy again, and our own role becomes clear. In the wake of what US citizens now call 9/11 we also need a mass cultural experience that will allow angry Christians to reflect on how this very anger, encased in awesome military hardware, can easily shift the West again to the dark side of another civilisation’s experience. (There’s absolutely no sign that Christian fundamentalism is making any effort to develop that understanding.)

And although the technologies on view in that distant galaxy are awesome, Lucas is at pains to underline the dangers and limits of technology itself. Vader’s lack of compassion is connected with the fact that he is mostly prosthesis.  A New Hope conveys the message that technology can be a hindrance to spirituality. At the climax of the battle with the Death Star, Luke prepares to use a complicated computerised bomb sight to lob a small nuclear device down a narrow shaft in the battle station to detonate at its heart. At Obi Wan’s whispered command he pulls this technology aside and trusts to the Force instead. The subsequent detonation was cheered wildly in all cinemas in the US in 1977. Youthful courage, spiritually empowered, had transcended even the computer age.

That there is indeed a cosmic spiritual ‘force’ or power for good is an essential part of the Christian message, and that courage and self-sacrifice express this power most nobly is part of that message also. Do we need to worry that Lucas does not introduce explicit Christian concepts such as the Trinity and grace, and above all the truths of the personhood of God and the incarnation? Just a little – but these lacunae give all teachers their own role and relevance – and after all we don’t know yet how redemption is achieved in other galaxies! (Although we can be sure that fundamentalism won’t cut it.)

And the fact that the hero of the present series transmutes into the villain of the second gives scope for raising with older children the sophisticated issue of the ambiguity of all military heroism – the fact that great evil can flow from the age-old association of heroism with violence. This, after all, was the tragedy of Christendom – its beautiful origin in a rejection of violence and its disgrace in the wake of the military adventurer Constantine’s confusion of cross with sword. (The stories of the search for the Holy Grail by Arthur’s knights were a mediaeval attempt to reconcile those contradictions.)

That five-year-old who encountered the Force for the first time in 1977 is now a thirty-year-old computer programmer. He doesn’t think that children as children really ‘get’ the Christian echoes of these films explicitly, but sees them now himself. ‘Star Wars’ remains a vivid memory for all three generations still, and exercises a mysterious fascination as a shared experience that annihilates the almost sixty years between us. And all three will again get to see Attack of the Clones  this year, God willing.

We worry greatly these times about the growing gap between adolescents and the mean age of clergy. How does one go about teaching Christianity to the children of cool? Nothing is more certain than that we all need to experience at least some of what’s cool, and start from there. Lucas gives us reference points, characters and visuals that everyone in Christian education, and every parent, can know and make use of.

So this summer all you uninitiated Jedi should ‘get out more’, switch off your theological bomb sights, let the Force flow through you, and then go figure out how to explain why prayer, grace and the Holy Spirit are so much cooler. And make sure it’s all in a film script that will have children of all ages cheering their heads off.